London: J. Johnson, 1798. All 4 full-page copperplate engravings after Fuseli signed by Blake as the engraver. Matted, good impressions of the plates, complete with the imprints untrimmed. § One of Blake’s scarcer works, seldom seen in the trade or at auction; there was also a volume on English history..... More

London: J. Bell, 1792. Single plate, 6 x 3.6 inches, browned but otherwise good condition. § Illustration to “Bell’s British Theatre” engraved by Legat after a lost painting by Fuseli. More

Auckland: Auckland City Art Gallery, 1967. Small 4to, 100pp, with b/w reproductions of the drawings. Original pink printed wrappers, backstrip faded. § An attractively produced catalogue of an exhibition of hitherto unknown drawings by Fuseli. The entire collection was first discovered, and later catalogued by Peter Tomory, the great Fuseli..... More

London: Boydell, March 25th 1795. Elephant folio, 31 x 23 1/2 ins., image 21 1/4 x 16 1/2 ins. Matted, in very good condition.` § Act II, scene IV, with Doll Tearsheet perched across Falstaff's ample lap in an erotic pose clearly to Fuseli's liking. Boydell’s enterprise was the Shakespeare..... More

London: Tate Gallery, 1975. 4to, 143pp. 8 color plates plus numerous black and white illustrations throughout. Illustrated wrappers. Light signs of wear. Very good. § A well illustrated catalogue of a great exhibition. More

London: Rivington [and 40 other booksellers], 1805. Two Gentlemen of Verona. Single plate, slight spotting, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. Tempest. Single plate, slight spotting, ink stain to right middle edge of plate, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. King Richard III. Single plate, some toning and spotting but very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. Troilus and Cressida. Single plate, slight spotting, very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. Hamlet. Single plate, some toning and spotting but very good condition. § Engraved by Smith after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: T. Cadell and W. Davies, 1800. Plate facing p. 126, a little browned around the edges. Engraved by Blake, signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick, Blake's..... More

New York: D. Appleton & Co., n.d. Folio, 11 x 14 3/4”, printed on recto only, decorative initial and tailpiece; slight foxing; good. Together with folio 11 x 14 3/4”, engraving 7 x 10”, minor foxing to edges: very good. § Single leaf describing John Linnell’s painting “The Nest,” together..... More

London: Fine Arts Society, 1882. Small folio, pictorial title-page, ii, 105, 1 (list of Palmer’s etchings)pp. With 14 (of 15) plates and nine woodcuts printed from the original blocks. Original quarter roan and cloth boards lettered in gilt, rather worn. The frontispiece original etching is lacking. § First edition, a...... More