London: March 8, 1828 (i.e 1825 but published 1826). Single leaf, recently cleaned. § First edition, one of 100 sets printed directly onto Whatman wove with the word “proof” removed. Bentley, Blake Books, 421A. Bindman, Complete Graphic Works of Blake, 625–641C. More

London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image. § From the first 4to edition. Bentley, Blake Books, 435b. More

London: 1791. Single sheet, 175 x 261 sheet, 134 x 177 (image) mm, being a good impression of the plate extracted from the book; recently cleaned. § A famous image with familiar Blake themes including the raging horse, a maiden laid out on a rock, a terrified figure tearing her..... More

London: J. Bell, 1792. Single plate, 6 x 3.6 inches, browned but otherwise good condition. § Illustration to “Bell’s British Theatre” engraved by Legat after a lost painting by Fuseli. More

London: W. Bulmer, 1796. The frontispiece only, stained in the top margin. § First edition, the print from one of a tiny number of large-paper copies. Only one other copy has been located (in the Essick collection, Fuseli’s own copy). The frontispiece is a stipple-engraving proof before all letters by..... More

London: Rivington [and 40 other booksellers], 1805. Two Gentlemen of Verona. Single plate, slight spotting, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. Tempest. Single plate, slight spotting, ink stain to right middle edge of plate, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. King Richard III. Single plate, some toning and spotting but very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. Troilus and Cressida. Single plate, slight spotting, very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: Rivington [and 40 other booksellers], 1805. Hamlet. Single plate, some toning and spotting but very good condition. § Engraved by Smith after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

London: T. Cadell and W. Davies, 1800. Plate facing p. 126, a little browned around the edges. Engraved by Blake, signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick, Blake's..... More

London: J. Johnson, 1813. 4to, 8 plates from the 1813 (third) edition. The plates are clean and in good condition hand-coloured with the standard palette, measuring 26.5 x 20.5 cm. § The plates are - "A Free Coromantyn Negro", "A Private Marine...." , "The Mecoo and Kishee Monkeys", "The Skinning..... More