London: C, Bathurst, T. Payne and others, 1783. 5 vols, 8vo, [8], cxxxi, 335; [4], 407: [4], 427; [4], 438; [4], (16, subscribers and errata), 322, vi, (55, errata and index) pp., with a frontispiece also in each volume and 3 further plates in The Life of Ariosto following the..... More
London: J, Johnson, 1806. 2 vols. 4to, xviii, 423, (4, index and plate list); iv, 419 ( 6, index and plate list) pp, with 40 hand-coloured plates in both vol I and vol II as called for plus hand-coloured title page to vol I and coloured vignette to both volumes..... More
[London: William Blake, 1827]. Printed in black ink on thick card. Very finely printed, in good condition though trimmed very close to the image at the left and right edges, once pasted down and thus with traces of mounting on the verso and pencil notes from an earlier collector (c..... More
1826. Folio, single sheet 16 1/4 x 11, image (inc. platemark) 8 1/4 x 6 1/2 ins. Light spotting, very good. § First edition, from the printing of 65 sets with the word “Proof” on French wove paper. Blake's rendition of Job 1: 14-16, in which Job is told of..... More
London: I. Poole, [1824]. Small 8vo, xxiv, 372pp. With an engraved frontispiece, 4 full-page engravings including one by Blake, 8 hand-colored botanical plates, 8 plates of engraved music, a calendar with an engraved title-page and 6 plates, and 12 blank leaves titled "Album 1825" recorded by Keynes but not noted..... More
London: Fielding and Walker, 1780 and J. Fielding: 1781. Two vols. in one, large thick folio, vol. 1 frontispiece, title page printed in red and black, 6, 632 pp., with 46 plates including 5 maps and a plan; vol. 2 with title page dated 1781, 494 pp., with 33 plates..... More
London: J. Johnson, 1798. All 4 full-page copperplate engravings after Fuseli signed by Blake as the engraver. Matted, good impressions of the plates, complete with the imprints untrimmed. § One of Blake’s scarcer works, seldom seen in the trade or at auction; there was also a volume on English history..... More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition, this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley, Blake Books, 435..... More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly spotted, image clean. § From the first 4to edition. Bentley, Blake Books, 435b. More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435b. More
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435D. More
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley, Blake Books, 435D. "In October 1805, Blake was commissioned by..... More
London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435b. More
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned . § From the second 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435D. More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
London: R. Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the most famous plates in the series. Bentley, Blake Books, 435D. More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. Framed. § From the first 4to edition. Designed by Blake and engraved by Luigi Schiavonetti (to Blake's indignation). A glorious image. Bentley, Blake Books, 435b. More
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
