1816. London: Printed for John Murray, 1816. 3 vols., sm. 8vo in 12s, (173 x 105 mm), [4], 322, [1, blank]; [4], 351, [352, printer's imprint]; [4], 363, [364, ads.] pp. Very early half calf, rebacked to style, blue/grey boards, tips scuffed. Ink signature in each volume of "Mr. Murray..... More
1763. Cambridge: Printed by John Baskerville, Printer to the University, 1763. Royal folio, 573 unnumbered leaves. A2, 1, B-13D2, *a-*e2, *f1. English binding of contemporary full blue-green morocco, covers with elaborate gilt border, backstrip richly gilt with red morocco lettering pieces stamped in gilt "HOLY BIBLE" and at the foot..... More
1825. London: [plates dated] 1825 [but published 1826]. Folio, 320 x 254 mm, engraved title and 21 plates. Proofs on India paper mounted on handmade paper, some leaves watermarked J. Whatman Turkey Mill 1825. Matted, a brilliant set, with the original printed label preserved. § First edition, limited to 150..... More
1825. London: [plates dated] 1825 [but published 1826]. Folio, 320 x 254 mm, engraved title and 21 plates. Proofs on India paper mounted on handmade paper, some leaves (2, 5, 6, 11, 14, 17, 18) watermarked J. Whatman Turkey Mill 1825. Gilt-ruled green morocco over thick boards, fleurons at the..... More
1825. London: I. Poole, [1825?]. 12mo, frontispiece "A Tribute of Regard..."; title-page "Remember Me" etc. with 1826 beneath "Christmas Present"; second engraved leaf recto "Calendar and Album 1826...", verso January and February, next three leaves with the rest of the Calendar; verso of third leaf "The Virgin Child and St..... More
6183. London: W. Pickering, Chancery Lane, and W. Newbery, 6, Chenies Street, Bedford Square, 1839. Small 8vo, xxi, (3), 74 pp. Original pebbled plum cloth, upper cover lettered in gilt (partly worn away as often), a very good copy in a variant original binding, slightly worn around the edges, upper..... More
![Songs of Innocence [and] Songs of Experience. William Blake](/pictures/thumb/122888_1.jpg?v=1582677183)
1885. Edmonton: William Muir, 1885. 2 vols., 4to, 34; 30 leaves, hand-colored, with the original blue-gray wrappers as issued, enclosed in a modern quarter-blue morocco folding box lettered in gilt. § Limited to around 50 copies of each, "Innocence" inscribed "No. 0 Pearson's copy" and "Experience" inscribed "for The Times"..... More
1977. London: BM Publications Ltd., 1977. 8vo, introductory pamphlet and 17 woodcuts on special paper, each in an individual folder, all contained in a brown cloth folding box with black leather gilt-lettered labels on upper cover and backstrip. As issued in the original BM-issued numbered cardboard box; a few mounts..... More
1887. Edmonton: William Muir, 1887. Folio, 18 plates, richly colored by hand. Original wrappers, rebacked, top edge gilt, fine. § Muir facsimile limited to around 50 copies of which, according to Keynes in 1921 (see Bentley), only 6 were hand colored. This is copy #3, signed, priced and numbered by..... More
1887. Edmonton: William Muir, 1887. Folio, 17 plates, richly hand colored. Original printed wrappers dated September 1887, backstrip renewed, gilt top, fine. § Limited to fewer than 50 copies, this copy numbered #11 signed, priced and numbered by Muir. Based on three different copies. With the frontispiece “The Ancient of..... More
1821. London: 1821. 2 vols., small 8vo, xii (-vii/viii), 12, xxiv (-i/iv), 214; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake engraved by others. Original full rose sheep, backstrips lettered..... More
1764. London: R. Richardson, 1764 [vols. 1 and 2] and G. Robinson, 1773 [vol. 3] and 1781 [vol. 4]. 4 vols. 4to, xxiii, 269, [6], 301, [20]; [iv], 195, [36], 120, 160, 32; [iv], 507, [26], 37; [6], 304, 218, [7] pp. With copper-engraved frontispiece portrait & 25 copper-engraved plates..... More
![The Canterbury Tales: the Tale of Melibee]. Geoffrey Chaucer](/pictures/thumb/122957.jpg?v=1571771406)
1476. [Westminster: William Caxton, 1476-1477]. Single leaf [292 r/v], (242 x 163 mm), printed on both sides, with a single rubricated initial. Bull's Head watermark clearly visible in the center of the leaf when held against light. Not trimmed close to the text as our previous copy and virtually all..... More
1880. London: John Murray, 1880. 8vo, x, 592, 32 (ads dated May 1878) pp. Illustrated with 196 in-text woodcuts. Original green blind-stamped cloth, backstrip titled in gilt, brown coated endpapers, hinges cracked, a little wear to crown and foot of backstrip, text block edges (but not pages) stained, an unsophisticated..... More
![Five Christmas Books:] A Christmas Carol. In Prose. Being A Ghost Story of Christmas; The Cricket...](/pictures/thumb/109280.jpg?v=1584725684)
1843. London: Chapman & Hall, MDCCCXLIII (1843); London: Bradbury & Evans, 1846; London: Bradbury & Evans, MDCCCXLVI (1846); London: Chapman & Hall, MDCCCXLV (1845); London: Bradbury & Evans, 1848. 5 vols., 8vo, illustrated with engravings see below for the discussion of states and pagination. All volumes in full dark green..... More
1849. London: Bradbury & Evans, Whitefriars, [May, 1849 - November 1850]. 8vo, 20 monthly parts in 19 as issued, 32, [1]-32, 4; 12, 33-64, 12; 12, 65-96, 4; 8 97-128; 4, 129-160; 8, 161-192, 8; 8, 193-224, 8; [14], 225-256; 12, 257-288, [22]; 12, 289-320, 8; 8, 321-352; 8, 353-384..... More
1859. London: Chapman & Hall, MDCCCLIX (1859). 8vo, [ix], [1]-254, 16 etched plates including frontis and title vignette. Full olive green fine-diaper cloth, entirely stamped in blind with a three line border which encloses a rectangular frame within which is is an ornament of leaves and stems in each corner..... More
1951. Princeton, May 5, 1951. 2 pages, 278 x 214 mm on his embossed Mercer Street stationery with the original transmittal envelope. Signed "A. Einstein" in black ink. In fine condition. [With] 12 pp. information pamphlet published by the Federation for the Repeal of the Levering Act in 1950, creased..... More
1929. New York: Jonathan Cape and Harrison Smith, [1929]. 8vo., [iv], 401 pp. Original quarter white cloth, and black and white patterned paper boards, backstrip lettered in black, decorative endpapers that match the covers, original pictorial dust-jacket, fore-edge uncut. Dust-jacket has a few minor chips along the edges, a very..... More
1934. New York: Charles Scribner’s Sons, 1934. 8vo., [viii], [1]-408 pp., title-vignette, headpieces and tailpieces. Original blue-green cloth lettered in gilt on the backstrip, original pictorial dust jacket. A very good copy, dust jacket with a few small chips at edges and flap folds, backstrip very slightly faded, otherwise clean..... More
1838. London, Henry G. Bohn. 1838. 8vo, xxvii, 243pp. Portrait frontispiece on India paper, 51 plates (complete, enclosed publisher's slip states that plate #18 was never engraved). Original green cloth with printed paper spine label, rubbed and worn. Pp.33-48 are missing but this is more than made up for by..... More
1929. Bristol: Douglas Cleverdon, 1929. 4to, (xii), 49, (5) pp. Frontispiece and 103 plates showing 147 engravings. Original black cloth, gilt vignette to upper cover, hinges cracked but the covers still firmly attached by the ties. In a new quarter calf folding box. § Limited to 400 copies from a...... More
1929. Bristol: Douglas Cleverdon, 1929. 4to, (xii), 49, (5) pp. With an extra suite of the engravings on Japon, wood-engraved self-portrait and 103 plates, a few printed in red or red and black, additional plates loose as issued in pocket at end. Original de luxe binding of quarter vellum. A...... More
1881. New York: D. Appleton, 1881. 8vo, 231, [viii] ads pp. Illustrations by Frederick Church and James Moser. Original red cloth stamped in gold and black, a unusually bright, near fine copy with only faint soil to the backstrip and lower board. Enclosed in a modern, custom box. § First..... More
1350. Tuscany: c. 1350. Folio, 430 x 308mm. Single leaf. With four-line staves of music with five (recto) and six (verso) lines of text beneath. With a very fine initial ‘A’ in Tuscan colors. The top edge has been repaired (perhaps at the time) with a strip of vellum, for..... More
