“Christ descending into the Grave”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
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“Christ descending into the Grave”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly spotted, image clean. § From the first 4to edition. Bentley, Blake Books, 435b. More
“Christ descending into the Grave”: in The Grave.
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
“Christ descending into the Grave”: p. 1 from The Grave.
London: Ackermann, 1813. Single plate, folio, etching on wove unwatermarked paper, good. § From the second folio edition. Bentley, Blake Books, 435. More
“The Counseller, King, Warrior, Mother & Child, in the tomb”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More
“The Counseller, King, Warrior, Mother & Child, in the tomb”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image. § From the first 4to edition. Bentley, Blake Books, 435b. More
“The Counseller, King, Warrior, Mother & Child, in the tomb”: in The Grave.
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
“The Death of The Good Old Man”: in The Grave.
London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435b. More
“The Death of The Good Old Man”: in The Grave.
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435D. More
“The Death of the Strong Wicked Man.” A single plate from Robert Blair's The Grave.
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley, Blake Books, 435D. "In October 1805, Blake was commissioned by..... More
“Death’s Door”: in The Grave.
London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435b. More
“Death’s Door”: in The Grave.
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned . § From the second 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435D. More
“The Descent of Man into the Vale of Death”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
“The Descent of Man into the Vale of Death”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More
“The Descent of Man into the Vale of Death”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
“The Descent of Man into the Vale of Death”: in The Grave.
London: R. Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
“The Grave, a Poem”: title-page to The Grave.
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the most famous plates in the series. Bentley, Blake Books, 435D. More
“The Meeting of a Family in Heaven”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
“The Reunion of the Soul and Body”: in Blair's The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. Framed. § From the first 4to edition. Designed by Blake and engraved by Luigi Schiavonetti (to Blake's indignation). A glorious image. Bentley, Blake Books, 435b. More
“The Soul exploring the recesses of the Grave”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
“The Soul exploring the recesses of the Grave”: in The Grave.
London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
“The Soul hovering over the Body reluctantly parting with Life”: in The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
“William Blake”: frontispiece portrait to The Grave.
London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
Frontispiece “Pericles” to: An Essay on Sculpture: In a Series of Epistles to John Flaxman.
London: T. Cadell and W. Davies, 1800. Frontispiece, a little browned around the edges. Engraved by Blake but not signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick, Blake's Commercial..... More
Second plate “Death of Demosthenes” in: An Essay on Sculpture: In a Series of Epistles to John Flaxman.
London: T. Cadell and W. Davies, 1800. Plate facing p. 126, a little browned around the edges. Engraved by Blake, signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick, Blake's..... More