The Grave, A Poem. Illustrated by twelve Etchings executed by Louis Schiavonetti, from the Original Inventions of William Blake. 1808.
London: Bensley for Ackermann, 1813 [i.e. 1870]. 4to, (2), liv, 42 pp. With a portrait frontispiece, etched title, and 11 plates all with tissue guards. Blind-stamped black cloth, rebacked with black cloth lettered in gilt,. Third quarto edition, printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Of this version Essick wrote: I've also seen the true 1813 text and plates in a very similar cloth binding with just a few differences in the blind stamping but very much the same style and period. My theory on that is that Camden Hotten, who produced the 1870 issues, not only got the copperplates from Ackermann (with the Spanish inscriptions for de Mora) but also some remainders of the impressions and letterpress and bound these up in a slightly different (just the blind stamping and perhaps the cloth color or weave) fashion. He removed the Spanish on the coppers and had an engraver restore the 1813 English inscriptions, then printed for both the portfolio and the 1870 issue of the text with the engravings... Bentley lists the 1870 issue in Blake Books, but I don't believe he lists the portfolio issue of the plates only. I have a vague recollection, however, that he did note it in one of his later checklists of publications in the Blake Quarterly. Bentley, Blake Books, 435E.
(Item Id: 109308)