Water-Colour Designs For The Poems Of Thomas Gray. A Facsimile with Introduction and Commentary by Sir Geoffrey Keynes.
London: Trianon Press, 1972. 2 volumes, huge 4to, 116 color facsimile leaves, additional proof sheets, progressive plates, original stencils, etc., all in two portfolios, one a full brown morocco folding box, the other a quarter brown morocco box, all within a quarter brown morocco box. Fine. #30 of 36 de luxe copies with extra material, issued unbound in portfolio, of a total edition of 320 sets. This set is the Trianon Presss own set, so marked. For exhibition purposes this is the version to have as the sheets are issued singly and thus the entire 116 leaves (plus text and extra material) can be displayed at once. In this, one of Blakes most extravagant tours de force, he took Grays poems as a springboard for epic watercolors. Mounting the text on a large sheet, he painted all around the margins some of his most powerful and striking designs. The illustrations to a poem on the death of a favorite cat drowned in a goldfish bowl, for example, are a classic example of his visionary powers transcending the prosaic. The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellons collection, each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley, Blake Books, 385.Bentley, Blake Books, 385.
(Item Id: 107387)