1350. Tuscany: c. 1350. Folio, 430 x 308mm. Single leaf. With four-line staves of music with five (recto) and six (verso) lines of text beneath. With a very fine initial ‘A’ in Tuscan colors. The top edge has been repaired (perhaps at the time) with a strip of vellum, for..... More
1450. Dutch school: c. 1450 or later. 138 x 98mm. Miniature, without text, image of Christ before Caiaphas being held by a soldier with a jester dancing behind Him, disciples (?) behind Him with a cock sitting above the, three-sided border of simple flowers. In good condition. § Origin and..... More
1500. German: c. 1500. 132 x 155 mm. Matted. § An intriguing painting, showing the instruments of the Passion, a crowing cock, the head of Judas, the thirty pieces of silver &c. A somewhat surreal piece, with the head and some of the instruments floating in the air against a...... More
1350. North Italy: 1350-1375. Folio, 420 x 270mm. Written in ink on vellum in a Gothic hand, with a surrounding gloss in a smaller but similar hand, colored initials in red and blue. With extensive annotations and a large marginal drawing of three knights in armor in different and perhaps..... More
1250. Central Italy?, c.1250. Matted, in fine condition. § A well-painted initial of a man in flowing blue and pink robes holding a book to which he gestures, probably Saint Paul. Italian miniature paintings of this period are known to be difficult to localize with any accuracy but as the..... More
1430. Britanny: c. 1430. 7.8” x 5.6”. Illuminated leaf on vellum, from a Book of Hours with two large miniatures of St. Nicholas blessing the three children in the pickling tub, and of St. Sebastian tied to a pillar in a mountainous landscape while two archers shoot arrows at him..... More
1430. Northern France or Flanders: ca. 1430. 7.5” x 5.75”. Text from the opening of Terce. Beautifully embellished and illuminated manuscript on vellum, with a miniature painting of the Annunciation to the Shepherds. Right border just slightly trimmed, border with a hint of soiling, otherwise in fine condition, the miniature..... More
1260. Rhineland (or possibly Flanders or England): c. 1260-1280. Single leaf, 177 x 131mm. 20 lines of text in gothic script., 4-line historiated initial of a knight in armor, 4 initials in gold, gold highlighting in text. Small drawing of a dragon in red ink, drawing of a bird in..... More
1475. French (probably Paris): c. 1475. Single leaf on vellum, 4 x 3 1/4 ins. with good margins. 20 lines written in black/brown ink, simple floriate border heightened in gold on both sides. § A sweet little leaf from the end of the Mass for the dead. More
1525. South German (?): c. 1525. 2 cuttings on vellum, each approx. 58 x 71 mm. Beautifully painted in gold and colors, on a brown background. In fine condition. § Two lovely miniatures from the same hand, once part of a group of four all cut from the same book..... More
1490. Naples: late 15th century. A cutting, 173 mm x 182 mm, with historiated initial 'E' (doubtless the introit 'Ecce advenit... for Mass at Epiphany), 147 mm x 152 mm. Slight spots of rubbing. In an elaborate gold frame. § The Virgin and Child seated on the right with..... More
1480. France (possibly Maine or Anjou): c. 1480. Single leaf, 162 mm x 110 mm. Slight fading, in an old frame with metal fittings. A finely painted miniature with the use of gold modeling and the cloud of cherubim in the tradition pioneered by Jean Fouquet. § The Virgin..... More
1480. Paris: c. 1480. 150 cm x 98 cm. Slight wear to inner margin, small hole in text portion. In an elaborate gold frame. § Arch-toped miniature showing the Virgin in blue holding the Child and a fruit, seated on a donkey, Joseph in front with a staff, a...... More
