1905. New York: John Lane, 1905. Large 4to, 367, xcvipp. With hundreds of illustrations in the text including several in color and on separate leaves. Original olive green cloth lettered in green, backstrip faded to brown. § A scarce and massive compilation of art of the period including crafts. Baldry..... More
London: George C Harrap & Co. Ltd., 1939. 8vo. Color frontispiece, title page vignette and 14 black and white illustrations (4 full page). Illustrated paper boards. § A perfect marriage of a classic tale with Rackham's beautiful and slightly grotesque illustrations. More
London: William Heinemann, 1923. 4to, ix, [1], 224 pp. Illustrations by C. Lovat Fraser, Max Beerbohm, Cecil Aldin and Rackham (one color plate, facing p. 92). Original black cloth-backed orange boards. Backstrip and boards worn at edges. § First edition of this anthology of authors published by Heinemann over 30..... More
1881. London: Henry Sotheran & Co., 1881. Oblong huge folio, images measure 9 1/2 x 11 1/2 inches on mounts measuring 17 x 24 inches. Some wear and darkening to the edges and margins of the mounts; foxing in the margins of some mounts, prints are clean and bright. Library..... More
1913. London: Hodder and Stoughton, 1913. Single offset color print, 4 x 6 inches, tipped to original page with printed border, tipping glue beginning to fail, else fine. § A single illustration by Edmund Dulac from My Days with the Fairies (1913). Dulac was born in Toulouse, France in 1882..... More
1913. London: Hodder and Stoughton, 1913. Single offset color print, 4 x 6 inches, tipped to original page with printed border, tipping glue beginning to fail and discolor, else fine. § A single illustration by Edmund Dulac from My Days with the Fairies (1913). Dulac was born in Toulouse, France..... More
1913. London: Hodder and Stoughton, 1913. Single offset color print, 4 x 6 inches, tipped to original page with printed border, tipping glue beginning to fail, else fine. § A single illustration by Edmund Dulac from My Days with the Fairies (1913). Dulac was born in Toulouse, France in 1882..... More
1913. London: Hodder and Stoughton, 1913. Single offset color print, 4 x 6 inches, tipped to original page with printed border, tipping glue beginning to fail, else fine. § A single illustration by Edmund Dulac from My Days with the Fairies (1913). Dulac was born in Toulouse, France in 1882..... More
1913. London: Hodder and Stoughton, 1913. Single offset color print, 4 x 6 inches, tipped to original page with printed border, tipping glue beginning to fail, else fine. § A single illustration by Edmund Dulac from My Days with the Fairies (1913). Dulac was born in Toulouse, France in 1882..... More
1920. London: William Heineman, Philadelphia: J.B. Lippincott Co., 1920. 4to, 110 pp. Mounted color frontispiece with color pictorial border and tissue guard. Color silhouette vignette title page, color frontispiece plate mounted within a black-and-white pictorial border, 3 double page and 2 single-page silhouette drawings with color, and 6 double-page and..... More
1929. Philadelphia: McKay, [1929]. 4to, 231 pp. with 12 full page color illustrations and 22 black and white as well as pictorial end papers. Blue boards in pictorial dust jacket, cloth bright, pages clean, dust-jacket with a few small closed tears and one larger closed tear to the front panel..... More
![Item #107929 The Wind in the Willows. Illustrated by Arthur Rackham. [The Hundredth Edition]....](https://johnwindle.cdn.bibliopolis.com/pictures/107929.jpg?width=320&height=427&fit=bounds&v=1619471718)
1951. London: Methuen and Co., 1951. 4to, xii, 178 pp. With 12 mounted colour plates and numerous black and white illustrations. Full white pigskin, lettered in gilt on backstrip, top edge gilt, others untrimmed, backstrip a little dried and joints showing wear, front joint cracking, internally perfect, in a cloth..... More
1940. New York: Limited Editions Club, 1940. Sm. folio, 245, [246, colophon] pp. Sixteen color plates mounted within dark green borders, with captions, on heavy paper. Original patterned boards backed in gilt lettered beige buckram, top edge gilt others uncut; one corner bumped otherwise a fine, clean, unopened copy in..... More
London: Constable & Co., Ltd, 1917. 4to, xi, 251 pp. 12 tipped in color plates, 43 black and white illustrations, some of which have been colored in, likely by a child. Original green cloth boards, with gilt title and vignettes to upper board and backstrip. Cloth rubbed and split along..... More
London: Constable & Co. Ltd., 1917. 4to, 251 pp. 11 tipped-in color plates (one plate missing), 43 black and white illustrations. Original green cloth boards with gilt title and vignettes to upper board and spine. § Edition de luxe, limited to 525 copies signed by Arthur Rackham, this is copy..... More
New York: E.P. Dutton & Co., 1920. Large 8vo, [xii] + 165 pp. With 20 colour plates tipped in, and 29 black and white illustrations. Blue cloth boards lettered in gilt, backstrip sunned and separating. § Classic fairytales, illustrated in Rackham's signature style. More
1922. London, New York: Hodder & Stoughton, Ltd., [1922]. 4to, viii, 207 pp. 24 color plates with 16 mounted onto thick paper, each with a tissue guard plus 20 line drawings in the text. Original white cloth, gilt-stamped on front cover and backstrip, top edge gilt, illustrated endpapers. Cloth a...... More
1895. New York: George Sully, 1895. 12mo, 184 pp. Frontispiece by Rackham. Original beige cloth lettered in red, very good. § Second American edition, a rare imprint and a nice copy. More
1894. London: Westminster Gazette, 1894. Sm. 8vo., [111]pp. With four full page illustrations in black and white. Original red/brown cloth, pictorial upper cover, a little dusty but very good. § First clothbound edition, from the same sheets as the wrappers edition. Latimore and Haskell think the blue cloth edition is..... More
1920. Hodder & Stoughton for Boots Pure Drug Co. Ltd, Nottingham, Nottingham, 1920. 4to, 319 pp. 20 tipped in color plates and numerous black and white illustrations by Edmund Dulac. Rust colored decorative cloth with gilt titles to backstrip and upper board. Binding shaken, cloth a little rubbed, backstrip dulled..... More
Philadelphia: J.B. Lippincott Co., [1936]. 4to, 255, [3] pp. 12 color plates with tissue guards, numerous other black and white illustrations throughout, with pictorial endpapers. Publisher's bright orange cloth boards, gilt decoration to upper cover and backstrip, pictorial dust jacket quite worn. § Illustrated in typically whimsical, if not slightly..... More
London: William Heinemann, Ltd., 1929. 4to, xix, 549 pp. with 24 color plates, 12 other plates and 66 illustrations. Gray cloth with gilt lettering and black illustrations to upper cover and backstrip. Binding lightly worn at edges. § Later edition. A very handsome presentation of Barham's hugely popular tales, first..... More
London: George G. Harrap & Co Ltd., 1928. 4to, 102 [103] pp., with 8 color plates, and numerous black and white illustrations throughout, pictorial endpapers. Publisher's decorated binding in full blue leather, with gilt stamped illustration and title on upper cover, and decoration to backstrip. Backstrip sunned, slightly scuffed, edges..... More
1919. London: Hodder and Stoughton for Boots Pure Drug Company, [1919]. 4to, ix, 240 pp. 12 tipped-in colour plates, each with tissue guard, green and black decorated title-page and numerous illustrations printed in green throughout the text. Original full green cloth, gilt titles on front cover and backstrip, pictorially gilt-stamped..... More
1899. London: Dent, 1899. 12mo, viii, 237 pp. 12 plates by Rackham, including a color frontispiece. Original limp calf, gilt vignette on upper cover, gilt top, backstrip browned, a very good copy of a fragile little book. § First Edition with illustrations by Rackham. From Dent's series 'The Temple Classics..... More
