6181. London: H. Humphr[ey]ies, 6 April 1813. Broadside, 8 x 12 3/4” hand-colored etching, title information printed below. Mounted, minor foxing to outer edges; very good. § Probably an early proof. Satirical portrait of a stout gentleman on horseback, unsigned but likely by James Gillray. Hannah Humphrey was the sister..... More

1701. Amsterdam: Typographia Francisci Halmae, 1701. 4to, engraved general title, letterpress red & black title page with allegorical engraved vignette. 18 full-page copper-engraved plates by Jan van Vianen, each featuring six circular images, and 38 in-text reproductions, engraved decorative initials, and head- and tailpieces. With the oversize fold-out engraved portrait..... More

1840. London: Richard Bentley, 1840. 8vo, xvi, 439 pp. With A.L.S. bearing sketches on verso laid in (see below). 40 steel engravings and 58 woodcuts by Cruikshank. Full polished calf by Riviere, covers ruled in gilt, backstrip richly gilt, gilt dentelles, all edges gilt, navy blue coated endpapers. A very..... More

1858. [Ashby de la Zouch: 1858] 4to, viii, 11pp. With a frontispiece and 54 lithographic plates. Original illustrated boards, red cloth backstrip, a bit worn and dusty but very good. § The object of the Anastatic Society was to delineate remains of antiquities, such as ancient buildings, sepulchral monuments, fonts..... More

London: George G. Harrap & Co. Ltd., 1932. 4to, 288 pp. Title page illustrated in brown and black, with 12 color illustrations with captioned tissue guards and numerous black and white illustrations throughout. Original box with full-color illustration pasted onto upper, recently restored. Some slight discoloration to boards, internally bright..... More

1975. San Francisco: Valenti Angelo, 1975. Small booklet (16 x 15 cm), [16] pp., with 7 hand-colored geometric decorations by Angelo. Original wrappers with printed paper label. Fine. § Limited to 100 copies "printed for the friends of Valenti Angelo" and signed by him. The text is a poem by..... More

1986. Bloomington, Indiana: Echo Press/ the Private Press of Fredric Brewer, 1986. Large folio, 19 x 14 ins., with 12 plates mounted on sheets, accompanied by a facing leaf of text all enclosed in a natural linen clamshell box by James Canary, As new. § Presentation copy with an extra..... More

1867. New York: Charles Scribner & Company, 1867. Folio, (17 x 12 7/8 inches). Hand-colored lithographed frontispiece and 15 hand-colored lithographed plates, all colored by Badger. Publisher's full black morocco, upper cover with broad floral gilt borders and gilt lettered title, rear cover with floral border in blind, hinges carefully..... More

1518. San Francisco: Schmidt Label & Litho Co., The Wasp, Aug. 15, 1885 Folio 13 3/4 x20 1/4”, pp. 7-10, two-page color lithograph 11 1/2 x 18 1/8”, text to verso. small tear along center fold, chipping and foxing to edges; very good. § From the original edition of..... More

1972. New York: The Viking Press, 1972. Small folio, (60) pp. Illustrated title page and color illustrations throughout. Pictorial boards, slightly worn, ink inscription on front free endpaper “Nina from Channing Xmas 1972”. Signed by Leonard Baskin at the front. § First edition, signed by the artist. Leonard Baskin’s first..... More

3419. [London]: R.A. Walker, 34 Oakley Crescent S.W., 1920. 4to, 7 pp., frontispiece. Original printed wrappers as issued. Unopened. Bookplate of Nina Ranger Herzog. § Limited to 200 copies numbered and signed in purple ink by the author. Derry describes, page by page, the contents of a scrapbook containing sketches..... More

1884. London: Published by S. Grosvenor, 324, Upper Street, Islington, MDCCCLXXXIV [1884]. Small 4to, (12), (1)-68, (6) pp. Original half cloth and blue paper wrapped boards, edges uncut, considerable wear to boards and backstrip, endpapers toned, occasional foxing throughout, but pages generally bright and with good impressions of the woodcuts..... More

1885. London: Muir, 1885. 4to, 1p. preface by Muir, 27 leaves hand-colored, 1p. appendix, 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience, and the separate plate ‘A Divine Image’. Original printed wrappers, bound into full mottled calf, red morocco..... More