8182. London: March 8, 1828 (i.e 1825 but published 1826). Single leaf, recently cleaned. § First edition, one of 100 sets printed directly onto Whatman wove with the word “proof” removed. Bentley, Blake Books, 421A. Bindman, Complete Graphic Works of Blake, 625–641C. More

1783. London: Printed for the Author; Sold by T. Bathurst, Payne and Son..., 1783. Single sheet, a bit soiled, the volume and page numbers at the top rubbed away. § Blake’s engraving is after a drawing by Stothard depicting the furious Orlando brandishing a huge tree. Essick notes: “In a...... More

1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image. § From the first 4to edition. Bentley, Blake Books, 435b. More

1791. London: 1791. Single sheet, 175 x 261 sheet, 134 x 177 (image) mm, being a good impression of the plate extracted from the book; recently cleaned. § A famous image with familiar Blake themes including the raging horse, a maiden laid out on a rock, a terrified figure tearing..... More

4018. London: Rivington [and 40 other booksellers], 1805. King Henry VIII. Single plate, some toning and spotting but very good condition. § One of two illustrations engraved by Blake after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

1791. J. Johnson, St. Paul's Church-Yard., 1791. The frontispiece only. Slightly spotted, otherwise very good condition. § First edition, engraved by Anker after Fuseli. More

1807. London: James Heath 1807. Copperplate engraving, 220 x 160 mm on a sheet 245 x 170 mm. Cleaned, in very good condition. § Single plate from A New Edition of Shakespeare’s Plays, Macbeth, Act 1 Scene 4. More

4018. London: Rivington [and 40 other booksellers], 1805. Merry Wives of Windsor. Single plate, slight spotting, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

4018. London: Rivington [and 40 other booksellers], 1805. A Winter’s Tale. Bright and clean, on frail loose sheet (not laid) of India paper. Unmounted, folded, wrinkled and torn at right corner outside the platemark, otherwise good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s..... More

4018. London: Rivington [and 40 other booksellers], 1805. Oval portrait bust of William Shakespeare. Single plate, slight spotting, watermark to left upper corner, very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

4018. London: Rivington [and 40 other booksellers], 1805. Othello. Single plate, slight spotting, very good condition. § Engraved by Rhodes after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

1800. London: T. Cadell and W. Davies, 1800. Frontispiece, a little browned around the edges. Engraved by Blake but not signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick, Blake's..... More

1813. London: J. Johnson, 1813. 4to, 3 uncoloured plates by Blake, from Vol II; Size 26.5 x 20. 5 cm. Rather browned and foxed in places, particularly to the edges. § Third edition. The plates are: "The Quato... Monkeys", "Limes, Capsicum....", "Flagellation of a Female....". Essick, William Blake's Commercial Book..... More