1940. [London: Sessler printing, c.1940's]. Impression measures 93.9 x 30 cm., an excellent impression, in deep, rich black ink on wove paper, watermarked FRANCE, lower right, watermark partially trimmed; recently cleaned. § Final state, lacking the drypoint inscriptions added in the fourth state. it is worth noting that the... More
1882. London: March 8, 1825 (but published 1826). Proof on India paper mounted on handmade paper, some leaves watermarked J. Whatman Turkey Mill 1825. A fine impression. Matted. § Single plate from the first edition, one of 150 proof sets on India paper. Bentley, Blake Books, 421A. Bindman, Complete Graphic Works of Blake, 625–641C. More
1783. London: Printed for the Author; Sold by T. Bathurst, Payne and Son..., 1783. Single sheet, a bit soiled, the volume and page numbers at the top rubbed away. § Blake’s engraving is after a drawing by Stothard depicting the furious Orlando brandishing a huge tree. Essick notes: “In a...... More
1784. London: Harrison and Co., 1784. Engraved by Blake after Collings. Full margins, folded as usual. A little soiled, but a good strong impression. § Bentley, BB, 513, Essick, William Blake's Commercial Book Illustrations, XIV, pp 36-38. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1791. London: 1791. Single sheet, 175 x 261 sheet, 134 x 177 (image) mm, being a good impression of the plate extracted from the book; recently cleaned. § A famous image with familiar Blake themes including the raging horse, a maiden laid out on a rock, a terrified figure tearing... More
1806. London: printed for Longman; by T. Bensley, 1806. Single leaf, 200 x 130 mm, being the frontispiece by Blake engraved by Cromek. Trimmed to the image, recently cleaned, with a couple of almost invisible creases and an ink smudge on the child’s nose. § A sentimental commercial engraving. The... More
4018. London: Rivington [and 40 other booksellers], 1805. King Henry VIII. Single plate, some toning and spotting but very good condition. § One of two illustrations engraved by Blake after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
1792. London: J. Bell, 1792. single plate, 6 x 3.6 inches, browned but otherwise good condition. § Illustration to “Bell’s British Theater” engraved by Legat after a lost painting by Fuseli. More
![frontispiece only to] The Economy of Vegetation [by Erasmus Darwin]. (Flora Attired by the...](/pictures/thumb/107265.jpg?v=1564510861)
1791. J. Johnson, St. Paul's Church-Yard., 1791. The frontispiece only. Slightly spotted, otherwise very good condition. § First edition, engraved by Anker after Fuseli. More
![frontispiece only to] Sorrows Sacred to the Memory of Penelope. [by Sir Brooke Boothby Bart]....](/pictures/thumb/107264.jpg?v=1564510860)
1796. London: W. Bulmer, 1796. The frontispiece only, stained in the top margin. § First edition, the print from one of a tiny number of large-paper copies. Only one other copy has been located (in the Essick collection, Fuseli’s own copy). The frontispiece is a stipple-engraving proof before all letters... More
1807. London: James Heath 1807. Copperplate engraving, 220 x 160 mm on a sheet 245 x 170 mm. Cleaned, in very good condition. § Single plate from A New Edition of Shakespeare’s Plays, Macbeth, Act 1 Scene 4. More
4018. London: Rivington [and 40 other booksellers], 1805. Two Gentlemen of Verona. Single plate, slight spotting, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
4018. London: Rivington [and 40 other booksellers], 1805. Merry Wives of Windsor. Single plate, slight spotting, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
4018. London: Rivington [and 40 other booksellers], 1805. Tempest. Single plate, slight spotting, ink stain to right middle edge of plate, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
4018. London: Rivington [and 40 other booksellers], 1805. A Winter’s Tale. Bright and clean, on frail loose sheet (not laid) of India paper. Unmounted, folded, wrinkled and torn at right corner outside the platemark, otherwise good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s..... More
4018. London: Rivington [and 40 other booksellers], 1805. King Richard III. Single plate, some toning and spotting but very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
4018. London: Rivington [and 40 other booksellers], 1805. Oval portrait bust of William Shakespeare. Single plate, slight spotting, watermark to left upper corner, very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
4018. London: Rivington [and 40 other booksellers], 1805. Troilus and Cressida. Single plate, slight spotting, very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
4018. London: Rivington [and 40 other booksellers], 1805. Othello. Single plate, slight spotting, very good condition. § Engraved by Rhodes after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
4018. London: Rivington [and 40 other booksellers], 1805. Hamlet. Single plate, some toning and spotting but very good condition. § Engraved by Smith after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More
1800. London: T. Cadell and W. Davies, 1800. Frontispiece, a little browned around the edges. Engraved by Blake but not signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick, Blake's..... More
1800. London: T. Cadell and W. Davies, 1800. Plate facing p. 126, a little browned around the edges. Engraved by Blake, signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick... More
2003. San Francisco: 2003. 8 x 6 ins. Calligraphic print in several colors, numbered 3/20, signed and dated. Framed and glazed. § Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern... More
