1825. London: March 8, 1828 (i.e 1825 but published 1826). Single leaf, recently cleaned. § First edition, one of 100 sets printed directly onto Whatman wove with the word “proof” removed. Blake had a long pictorial engagement with the biblical story of Job. This a single leaf from a series of..... More

8182. London: March 8, 1828 (i.e 1825 but published 1826). Single leaf, recently cleaned. § First edition, one of 100 sets printed directly onto Whatman wove with the word “proof” removed. Bentley, Blake Books, 421A. Bindman, Complete Graphic Works of Blake, 625–641C. More

1784. London: Harrison and Co., 1784. Engraved by Blake after Collings. Full margins, folded as usual. A little soiled, but a good strong impression. § One of five plates Blake engraved for The Wit’s Magazine. Bentley, BB, 513, Essick, William Blake's Commercial Book Illustrations, XIV, pp 36-38. More

1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More

1806. London: printed for Longman; by T. Bensley, 1806. Single leaf, 200 x 130 mm, being the frontispiece by Blake engraved by Cromek. Trimmed to the image, recently cleaned, with a couple of almost invisible creases and an ink smudge on the child’s nose. § Frontispiece only. A sentimental commercial..... More

1792. London: J. Bell, 1792. Single plate, 6 x 3.6 inches, browned but otherwise good condition. § Illustration to “Bell’s British Theatre” engraved by Legat after a lost painting by Fuseli. More

1796. London: W. Bulmer, 1796. The frontispiece only, stained in the top margin. § First edition, the print from one of a tiny number of large-paper copies. Only one other copy has been located (in the Essick collection, Fuseli’s own copy). The frontispiece is a stipple-engraving proof before all letters..... More

4018. London: Rivington [and 40 other booksellers], 1805. Two Gentlemen of Verona. Single plate, slight spotting, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

4018. London: Rivington [and 40 other booksellers], 1805. Tempest. Single plate, slight spotting, ink stain to right middle edge of plate, very good condition. § Engraved by Bromley after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

4018. London: Rivington [and 40 other booksellers], 1805. King Richard III. Single plate, some toning and spotting but very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

4018. London: Rivington [and 40 other booksellers], 1805. Troilus and Cressida. Single plate, slight spotting, very good condition. § Engraved by Neagle after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

4018. London: Rivington [and 40 other booksellers], 1805. Hamlet. Single plate, some toning and spotting but very good condition. § Engraved by Smith after Fuseli from the best illustrated collection of Shakespeare’s plays (save only the elephant-folio Boydell perhaps) and quite rare. More

1800. London: T. Cadell and W. Davies, 1800. Plate facing p. 126, a little browned around the edges. Engraved by Blake, signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick..... More