“The Day of Judgment”: in The Grave.
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, full margins, cleaned. § From the first 4to edition. Bentley, Blake Books, 435b. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, full margins, cleaned. § From the first 4to edition. Bentley, Blake Books, 435b. More
1808. London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435D. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley, Blake Books, 435D. "In October 1805, Blake was commissioned..... More
1808. London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned . § From the second 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1813. London: R. Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the most famous plates in the series. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. Framed. § From the first 4to edition. Designed by Blake and engraved by Luigi Schiavonetti (to Blake's indignation). A glorious image. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1808. London: Cromek, 1808. Single plate, etching on wove unwatermarked paper, full margin including the note "Subscriber's copy" at the very bottom (often trimmed off). § From the first quarto edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435b. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1791. London: Johnson, 1791. Single sheet copperplate engraving, frontispiece, 250 x 170 mm. Cleaned but still a little soiled, paper rubbed between title and imprint with no loss, signs of four folds. § Hartley’s Observations on Man, 1791 has this frontispiece engraved by Blake—it was also issued as a separate..... More
1791. London: 1791. Single sheet, 175 x 261 sheet, 134 x 177 (image) mm, being a good impression of the plate extracted from the book; recently cleaned. § A famous image with familiar Blake themes including the raging horse, a maiden laid out on a rock, a terrified figure tearing..... More
1805. Chichester: J. Seagrave, for Richard Phillips, 1805. The Lion. Single plate, full margins, well printed, first state. § See: Bentley, Blake Books, 465. Easson and Essick, William Blake Book Illustrator, VIII. Bindman, Complete Graphic Works of Blake, 403-407. More
1805. Chichester: J. Seagrave, for Richard Phillips, 1805. The Hermit’s Dog. Single plate, full margins, well printed, only state. § See: Bentley, Blake Books, 465. Easson and Essick, William Blake Book Illustrator, VIII. Bindman, Complete Graphic Works of Blake, 403-407. More
1806. London: printed for Longman; by T. Bensley, 1806. Single leaf, 200 x 130 mm, being the frontispiece by Blake engraved by Cromek. Trimmed to the image, recently cleaned, with a couple of almost invisible creases and an ink smudge on the child’s nose. § Frontispiece only. A sentimental commercial..... More