1935. n.d. c.1935? Bound carbon copy typescript, 4to (20 x 25 cm). 316 leaves typed on versos only and numbered in three parts: 103; 96; 117 pp. 8 leaves with pencil annotations. Paper watermarked "Charles Martin Extra Strong." Bound in three quarter calf and red cloth over boards, backstrip lettered..... More
1935. New York: Limited Editions Club, 1935. 3 vols. 8vo. Original blue cloth, decorated in gilt, top edge stained blue. A very good copy, vol.1 cloth slightly sunned in the original, lightly worn, card slipcase. § Edition of 1500 copies designed for reading by George Macy and printed at the..... More
1934. New York: Limited Editions Club, 1934. 8vo, 165 pp. Quarter vellum and paste paper boards. A near fine, unopened copy with just a little foxing to the deckle edges. Original card slipcase, lightly rubbed. § Limited to 1500 copies, colophon signed by Bruce Rogers who supervised the printing at..... More
1656. London: E. Cotes for Andrew Crook, 1656. Sm. 8vo, [16], 297, [5] pages, including engraved additional title dated 1645 , and 2 integral ad leaves at end. Ink annotation on title and recto of frontispiece. Early 18th-century calf, covers blind-stamped and ruled Oxford-style, backstrip lettered in gilt partly rubbed..... More
1350. Tuscany: c. 1350. Folio, 430 x 308 mm. Single leaf. With four-line staves of music on both sides with five (recto) and six (verso) lines of text beneath. With a very fine initial ‘A’ in Tuscan colors. The top edge has been repaired (perhaps at the time) with a...... More
