8182. London: March 8, 1825 [i.e. London: John Linnell, 1874]. Large folio, title-page and 21 plates printed on India paper. Mounted on large sheets as issued, enclosed in a blue morocco box (slightly worn) lettered in gilt. Bookplate of Robert Pirie. § A very good set of the posthumous edition..... More
1826. London: [plates dated] 1825 (and plate 1 dated 1828) [but published 1826]. Folio, 380 x 272 mm., engraved title and 21 engravings on thick white wove paper by William Blake, plates 5, 14, 18 and 20 with visible watermarks J WHATMAN / 1825' or 'J WHATMAN / TURKEY MILL..... More
![Item #110443 Songs of Innocence [with] Songs of Experience. Facsimiles by William Muir. William...](https://johnwindle.cdn.bibliopolis.com/pictures/110443.jpg?width=320&height=427&fit=bounds&auto=webp&v=1648828586)
1927. London: Quaritch, 1927. 2 vols, 4to, 28 and 22 hand-colored plates (plus 4 more hand-colored plates and one plate colored in brown only); original printed wrappers as issued. Bookplate of Raymond and Pamela Lister. In a green cloth slipcase. § The second Muir facsimiles of these titles, both inscribed..... More
1977. London: BM Publications Ltd., 1977. 8vo, introductory pamphlet and 17 woodcuts on special paper, each in an individual folder, all contained in a brown cloth folding box with black leather gilt-lettered labels on upper cover and backstrip. As issued. § Limited to 150 sets, this superb reprinting of Blake’s..... More
1838. London: 1838 or ca. 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. § Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations, ranging..... More
1821. London: 1821. 2 vols., small 8vo, xii (-vii/viii), 12, xxiv (-i/iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake engraved by others. Original sheep rebacked to style..... More
1733. London: J. Osborn and T. Longman, 1733. Thick 8vo, xvi, 700, lx (index) pages. Original calf, final two leaves creased, lacking rear free end-paper. § William Blake’s copy, signed on the title-page “William Blake his Book” in brown ink. The signature corresponds almost exactly with the example reproduced by..... More
1796. London: J. Johnson, 1796. Vol I only. 4to, xviii, 407 (i.e. 415), (7, index, plates, errata) pp., with 40 hand-coloured plates as called for including hand-coloured frontispiece and title page vignette. Very good in contemporary brown calf with gilt rules, decoration, and titling to spine with five raised bands..... More
