1796. London: by S. Gosnell for William Miller, 1796. Slim 4to, xi, 16 pp. With a frontispiece and 2 illustrations (headpiece and tailpiece) designed by Blake and engraved by Perry. Later full red straight-grain morocco, gilt-lettered backstrip, a fine copy with a faded inscription on the title-page "Sophia Baillie". §..... More
1838. London: 1838 or ca. 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. § Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations, ranging..... More
1821. London: 1821. 2 vols., small 8vo, xii (-vii/viii), 12, xxiv (-i/iv), 214; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake engraved by others. Original full rose sheep, backstrips lettered..... More
1915. Ditchling, Sussex: Douglas Pepler, 1915. 4to (13 x 10.5 inches). Woodcut title-page with triangular device enclosing the letters HDCP EG 1915. Original printed blue paper wrappers slightly soiled and spotted, internally perfect. Enclosed in a quarter blue morocco box. § First printing, limited edition; this is # 14 of..... More
1929. Bristol: Douglas Cleverdon, 1929. 4to, (xii), 49, (5) pp. Frontispiece and 103 plates showing 147 engravings. Original black cloth, gilt vignette to upper cover, hinges cracked but the covers still firmly attached by the ties. In a new quarter calf folding box. § Limited to 400 copies from a...... More
1929. Bristol: Douglas Cleverdon, 1929. 4to, (xii), 49, (5) pp. With an extra suite of the engravings on Japon, wood-engraved self-portrait and 103 plates, a few printed in red or red and black, additional plates loose as issued in pocket at end. Original de luxe binding of quarter vellum. A...... More
1577. Venice: Giordano Ziletti, 1577. 4to, (4), 301, (8, index)pp. Architectural woodcut title border with Ziletti's device, woodcut of an astrologer and 100 woodcut illustrations by Verdizotti. Early Italian polished calf, central blindstamp probably just decorative, gilt supralibros on upper cover of crossed keys (Papal?). A little worn and scuffed..... More
1797. London: R. Noble, 1797. Large 4to, viii, [1], 95, [2] pp. with 43 full-page engravings by Blake after his own designs surrounding the letterpress text. “Explanation” leaf bound in at the back. Half brown morocco, backstrip gilt, gilt top, by Riviere; a very large copy measuring 16 1/2 x...... More
