1843. London: Chapman & Hall, MDCCCXLIII (1843); London: Bradbury & Evans, 1846; London: Bradbury & Evans, MDCCCXLVI (1846); London: Chapman & Hall, MDCCCXLV (1845); London: Bradbury & Evans, 1848. 5 vols., 8vo, illustrated with engravings see below for the discussion of states and pagination. All volumes in full dark green..... More

1847. London: William Pickering, 1847. Small 4to, xxix, 268 pp., color diagrams throughout printed in red, blue, yellow, and black; wood-engraved initials. Early half black calf, gilt backstrip, red label, marbled boards, a very good copy beautifully cleaned and restored by Court Benson. § First edition of Byrne’s work on..... More

1350. Tuscany: c. 1350. Folio, 430 x 308mm. Single leaf. With four-line staves of music with five (recto) and six (verso) lines of text beneath. With a very fine initial ‘A’ in Tuscan colors. The top edge has been repaired (perhaps at the time) with a strip of vellum, for..... More

1987. Paris: Trianon Press for the Blake Trust, 1987. 3 huge black slipcases, with contents in various formats (see below). In perfect condition as issued. § Edition limited to 365 copies in three different formats, and a super de luxe edition limited to 22 sets of which this is #D..... More