1763. Cambridge: Printed by John Baskerville, Printer to the University, 1763. Royal folio, 573 unnumbered leaves. A2, 1, B-13D2, *a-*e2, *f1. English binding of contemporary full blue-green morocco, covers with elaborate gilt border, backstrip richly gilt with red morocco lettering pieces stamped in gilt "HOLY BIBLE" and at the foot..... More

5188. [London: Colnaghi printing, after 5 March 1881]. Impression measures 93.9 x 30 cm., printed on laid India paper; recently cleaned. § Final state: it is worth noting that the only difference between the so-called fourth and fifth states is the absence of the scratched dry-point inscriptions clearly visible in..... More

1885. Edmonton: William Muir, 1885. 2 vols. in one. 4to, 34; 30 leaves, hand-colored, with the original blue-gray wrappers as issued; copies No. 24 (Innocence) and 11 (Experience). Full dark red morocco, gilt top, gilt-lettered backstrip with gilt device at foot, bookplates of Thomas William Waller and Willis Vickery. Very..... More

6183. London: W. Pickering, Chancery Lane, and W. Newbery, 6, Chenies Street, Bedford Square, 1839. Small 8vo, xxi, (3), 74 pp. Original pebbled plum cloth, upper cover lettered in gilt (partly worn away as often), a very good copy in a variant original binding, slightly worn around the edges, upper..... More

1977. London: BM Publications Ltd., 1977. 8vo, introductory pamphlet and 17 woodcuts on special paper, each in an individual folder, all contained in a brown cloth folding box with black leather gilt-lettered labels on upper cover and backstrip. As issued in the original BM-issued numbered cardboard box; a few mounts..... More

1887. Edmonton: William Muir, 1887. Folio, 17 plates, richly hand colored. Original printed wrappers dated September 1887, backstrip renewed, gilt top, fine. § Limited to fewer than 50 copies, this copy numbered #11 signed, priced and numbered by Muir. Based on three different copies. With the frontispiece “The Ancient of..... More

1880. London: John Murray, 1880. 8vo, x, 592, 32 (ads dated May 1878) pp. Illustrated with 196 in-text woodcuts. Original green blind-stamped cloth, backstrip titled in gilt, brown coated endpapers, hinges cracked, a little wear to crown and foot of backstrip, text block edges (but not pages) stained, an unsophisticated..... More

1843. London: Chapman & Hall, MDCCCXLIII (1843); London: Bradbury & Evans, 1846; London: Bradbury & Evans, MDCCCXLVI (1846); London: Chapman & Hall, MDCCCXLV (1845); London: Bradbury & Evans, 1848. 5 vols., 8vo, illustrated with engravings see below for the discussion of states and pagination. All volumes in full dark green..... More

1859. London: Chapman & Hall, MDCCCLIX (1859). 8vo, [ix], [1]-254, 16 etched plates including frontis and title vignette. Full olive green fine-diaper cloth, entirely stamped in blind with a three line border which encloses a rectangular frame within which is is an ornament of leaves and stems in each corner..... More

1929. New York: Jonathan Cape and Harrison Smith, [1929]. 8vo., [iv], 401 pp. Original quarter white cloth, and black and white patterned paper boards, backstrip lettered in black, decorative endpapers that match the covers, original pictorial dust-jacket, fore-edge uncut. Dust-jacket has a few minor chips along the edges, a very..... More

1838. London, Henry G. Bohn. 1838. 8vo, xxvii, 243pp. Portrait frontispiece on India paper, 51 plates (complete, enclosed publisher's slip states that plate #18 was never engraved). Original green cloth with printed paper spine label, rubbed and worn. Pp.33-48 are missing but this is more than made up for by..... More

1929. Bristol: Douglas Cleverdon, 1929. 4to, (xii), 49, (5) pp. With an extra suite of the engravings on Japon, wood-engraved self-portrait and 103 plates, a few printed in red or red and black, additional plates loose as issued in pocket at end. Original de luxe binding of quarter vellum. A...... More

1881. New York: D. Appleton, 1881. 8vo, 231, [viii] ads pp. Illustrations by Frederick Church and James Moser. Original red cloth stamped in gold and black, a unusually bright, near fine copy with only faint soil to the backstrip and lower board. Enclosed in a modern, custom box. § First..... More