1813. London: Bensley for Ackermann, 1813 [i.e. 1870]. 4to, plates only, without Death’s Door and The Soul’s Reunion with the Body, i.e. a portrait frontispiece, etched title, and 9 plates. As issued in the original pebbled brown cloth portfolio lettered in gilt, occasional foxing or oxidization, an adequate copy. Includes..... More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1813. London: Ackermann, 1813. Single plate, folio, etching on wove unwatermarked paper, good. § From the second folio edition. Bentley, Blake Books, 435. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cromek, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition, this is one of the most famous plates in the series. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1912. New York: Boosey & Co., 1912. 4to, 8pp., self-wrappers. Small tear with no loss, slightly soiled. § First printing of this scarce piece of sheet music. Fitch, Blake set to Music, 149. More
1972. Westminster: Westminster City Libraries, 1972. 4to, 24 single-sided leaves. Brown printed wrappers, stapled. Very good. § Bentley, BBS, p.292. More
1972. Westminster: Westminster City Libraries, 1972. 4to, 24 single-sided leaves. Brown printed wrappers, stapled, lacking rear wrapper. Very good. § Bentley, BBS, p.292. More
[Wythenshaw, Manchester: The William Morris Press, n.d.] Oblong folio, 43 pages, 24 illustrations. Pictorial wrapper with light wear. § Conran was the director of the City of Manchester Art Gallery, which houses the Heads of the Poets. Not in Bentley. Scarce. More
1791. London: Johnson, 1791. 4to, single leaf (197 x 270 mm), margins foxed, a good strong impression with wide margins, matted. § Designed by Fuseli and engraved by Blake for Erasmus Darwin's poem The Botanic Garden. One of Blake’s best-known commercial engravings. Essick, Commercial Book Illustrations, XXI. Only state. More
1893. London: Quaritch, 1893. 3 vols., large 8vo., profusely illustrated. In original green cloth with extensive gilt stampings of Blake designs to covers in bright condition, although spines now a little dulled with rubbing to edges and spine ends. All volumes very clean internally, with traces of dustiness to the..... More
1893. London: Quaritch, 1893. 3 vols., large 8vo., profusely illustrated. In original green cloth with extensive gilt stampings of Blake designs to covers in bright condition. The finest copy we have ever seen. § First edition of one of the most influential works on Blake. The Doheny copy with book..... More
1980. OUP: 1980. 2 vols., large 4to, xvi, 99; viii + 537 reproductions of watercolor drawings and 43 engravings. Original cloth, dust-jackets, jackets worn. § Published at £150: a remarkable example of scholarly publishing worthy of its subject. Bentley, Blake Books (postscript 2000) p.7, noting that the two planned volumes..... More
1973. Oxford, 1973. 4to, xv, 105 pages. Numerous illustrations. Original blue cloth. Sticker inside from “London Borough of Camden Public Libraries - Reference Library,” and a sticker on the back inside, “Reference and Information Services. This book may not be removed from the library.” A few bent page corners. Very..... More
1957. Washington: National Gallery of Art Smithsonian Institution, 1957. Small 4to, 46pp. Color illustration on front cover, plus 21 plates in black and white. Yellow printed wrappers, chipping to spine. Some sun-fading. Very good. § Bentley, Blake Books, 674. More
1957. Washington: National Gallery of Art Smithsonian Institution, 1957. Small 4to, 46pp. Color illustration on front cover, plus 21 plates in black and white. Yellow printed wrappers, chipping to spine. Some sun-fading. Very good. § Bentley, Blake Books, 674. More
1957. Washington: National Gallery of Art Smithsonian Institution, 1957. Small 4to, 46pp. Color illustration on front cover, plus 21 plates in black and white. Yellow printed wrappers, chipping to spine. Some sun-fading. Very good. § Bentley, Blake Books, 674. More
