1951. London: Trianon Press, [1951] [and] London: Trianon Press for the William Blake Trust, [1954]. Small 4to, 116 text, errata, 100 facsimile pp. [and] Small 4to, xv, 264 pp. Both vols. in original orange cloth, with gilt lettering and dust jackets, a bit worn. § [Jerusalem:] 2500 copies printed..... More

1951. London: Trianon Press for the William Blake Trust, [1951]. 4to, (6), ix text, and 100 pochoir colorplates. Blue buckram, gilt title. Very good copy in a worn folding box. § Limited to 516 copies. The definitive facsimile of one of Blake’s greatest works and the first of the..... More

1780. London: Harrison and co., [1780-81]. Single plate, 10 x 7.5 ins. A little browned around the edges, very good. § First edition thus, issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has..... More

1926. Oxford: Clarendon Press, 1926. 4to, ix pp., illustrated facsimiles of the original letters. Quarter gray cloth, marbled boards, printed label on upper cover. § Limited to 325 copies. Facsimiles of the only 10 letters known to have survived written by Blake to his friend and patron of thirty years..... More

1906. New York: Scribners, 1906. 8vo, xlvii, 237, 40 (ads) pp. With a frontispiece and 11 plates. Original blue cloth gilt, ink stain and ink signature on front endpaper, a very good copy. § First edition of this collection. Bentley, Blake Books, 88. More

Printed for & sold by the Widow Spicer of Folkstone for the Benefit of her Orphans. [n.d.] 55.9 x 22.9 cm., single sheet folded once, with some traces of mounting tape on the vertical margin, some creases but very good. § The very fine William Muir facsimile, often mistaken in..... More

1905. Oxford: Clarendon Press, 1905. Small 8vo, li, 196 pp, with frontispiece from "Milton". Very good in original green cloth with ornate gilt cover and spine rules and decoration, and spine a touch darkened. § Bentley, BB, 275 A. First Sampson Edition. More

1885. London: Muir, 1885. 4to, 1p. preface by Muir, 27 leaves hand-colored, 1p. appendix, 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience, and the separate plate ‘A Divine Image’. Original printed wrappers, bound into full mottled calf, red morocco..... More

1885. London: Muir, 1885. Sm. 4to, 1p. preface by Muir, 27 leaves hand-colored, 1p. appendix, 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience, and the separate plate ‘A Divine Image’. once badly stained in the margins now washed and..... More

1805. London: C. and J. Rivington, 1805. 10 volumes, royal 8vo, 9.5 x 5.5 ins., with a portrait frontispiece of Shakespeare and 37 separate engravings after drawings by Fuseli by Neagle, Cromek, Rhodes, Dodley, and two by William Blake. Original calf, rather worn with some hinges cracked. Gilt on raised..... More

1971. London: Trianon Press, 1971. 4to, xx, 71 pp, with 16 color plates and 116 illustrations. Very Good in original color illustrated card wrappers with slight wear and acetate dust-jacket. § First trade edition thus. Introductory handbook to the facsimile of Blake’s watercolors for Gray’s poems. Bentley, BB, 385. More

1926. London: Noel Douglas, 1926. 8vo, 70pp.Original paper over boards with title on spine and clear glassine wrapper. Pages unopened. Near Fine. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. “The original 1783 copies were seventy-two pages in length, printed in..... More

1868. London: Pickering, 1868. Small 8vo, xiv, 96 pp. A good copy in original cloth, with a small amount of wear at spine ends, and the paper label on spine darkened and with two small chips. Rear end paper slightly foxed and one or two spots on occasional pages, but..... More