“Christ descending into the Grave”: in The Grave.
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly spotted, image clean. § From the first 4to edition. Bentley, Blake Books, 435b. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, trimmed to the image, recently cleaned. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, full margins, cleaned. § From the first 4to edition. Bentley, Blake Books, 435b. More
1808. London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. Bentley, Blake Books, 435D. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley, Blake Books, 435D. "In October 1805, Blake was commissioned..... More
1808. London: Cadell and Davis, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned . § From the second 4to edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1813. London: R. Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition, this is one of the most famous plates in the series. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. Framed. § From the first 4to edition. Designed by Blake and engraved by Luigi Schiavonetti (to Blake's indignation). A glorious image. Bentley, Blake Books, 435b. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, margins slightly soiled and worn, image clean. § From the first 4to edition. Bentley, Blake Books, 435 A. More
1813. London: Ackermann, 1813. Single plate, etching on wove unwatermarked paper, recently cleaned. § From the second 4to edition. Bentley, Blake Books, 435D. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1808. London: Cromek, 1808. Single plate, etching on wove unwatermarked paper, full margin including the note "Subscriber's copy" at the very bottom (often trimmed off). § From the first quarto edition, this is one of the most powerful plates in the series. Bentley, Blake Books, 435b. More
1808. London: Cadell and Davies, 1808. Single plate, etching on wove unwatermarked paper, cleaned and in fine condition. § From the first 4to edition. Bentley, Blake Books, 435b. More
1800. London: T. Cadell and W. Davies, 1800. Frontispiece, a little browned around the edges. Engraved by Blake but not signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick, Blake's..... More
1800. London: T. Cadell and W. Davies, 1800. Plate facing p. 126, a little browned around the edges. Engraved by Blake, signed. § Blake’s first (and perhaps happiest) collaboration with his patron William Hayley, one that also included Blake’s friend of many years, John Flaxman. Bentley, Blake Books, 467. Essick..... More