1970. London: Trianon Press, 1970. 4to, with 10 facsimile leaves, 5 pp. commentary by Sir Geoffrey Keynes, plus 32 pp. of the progressive collotype printings. Full green morocco, near fine with green marbled slipcase. § Copy III of 36 de luxe copies. The total edition was of 662 copies including..... More
1975. London: Trianon Press, 1975. 4to, 8 plates, 8 pp. commentary by Keynes with another plate, plus 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, prospectus inserted, a fine copy in slipcase. As new. § De luxe copy XXVIII of..... More
1978. London: Trianon Press, 1978. Oblong folio, unlettered quarter morocco, cloth, worn. § The Trianon Press mock-up for the published edition which was limited to 376 copies. The first accurate reproduction of Blake’s seven engravings for the Divine Comedy, first published in 1838. This new edition has an introduction and..... More
1973. London: Trianon Press, 1973. 4to, 6 color facsimile leaves, 5 pp. of commentary. Quarter black morocco with marble boards. Black mockup slipcase with edge wear and splitting that has been partially repaired with tape. Notes at front in pencil. Book is in fine condition. § Unnumbered maquette... More
1976. London: Trianon Press, 1976. 4to, 5 color plates and commentary. Quarter brown morocco, slipcase. A fine copy. § Regular copy #166. Limited to 538 copies including 32 de luxe copies numbered I-XXXII, 480 regular copies numbered 1-480, and 26 copies lettered A-Z reserved for the Trustees of the William..... More
1969. London: Trianon Press, 1969. Folio, 17 color plates, 9 pp. of commentary plus extra material. Full brown morocco over boards with slipcase. Fine. § One of the rarest de luxe editions. One 20 deluxe copies with additional proof sheets, progressive plates, original stencil, etc.; this copy is inscribed “special..... More
1960. London: Trianon Press, 1960. Folio, 27 plates, 4 pp. text, plus the extra materials. Full green morocco, upper tips bumped, backstrip sunned, a very good copy in the original, slightly worn slipcase. § Copy II of XX de luxe copies. Edition limited to 526 copies including 20 de luxe..... More
1972. London: Trianon Press, 1972. 4to, xx, 71 pp. With 16 color plates and 116 illustrations. Original blue cloth, illustrated dust-jacket. § Introductory handbook to the facsimile of Blake’s watercolors for Gray’s poems. Bentley, Blake Books, 385. More
1972. London: Trianon Press, 1972. 4to, xx, 71 pp. With 16 color plates and 116 illustrations. Original blue cloth, illustrated dust-jacket. § Introductory handbook to the facsimile of Blake’s watercolors for Gray’s poems. Bentley, Blake Books, 385. More
1955. London: Trianon Press, 1955. Small 8vo, 54 plates, 3 pp. printed text at end. Full brown morocco, slipcase, a fine copy. § Limited to 526 copies, this is #399; the superb color facsimile of the Rosenwald-LC copy (Z). One of the scarcest and most desirable of the Trianon Press..... More
1972. London: Trianon Press, 1972. 3 volumes, folio, with 116 color facsimile leaves reproduced by collotype and hand-stencil color, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco backstrips, slipcases, a fine set as..... More
1963. London: Trianon Press, 1963. Folio, 18 color facsimile leaves, 8 pages commentary. Full blue morocco, contents a bit foxed, slipcase. § Copy #XIX of 20 de luxe copies with additional proof sheets, progressive plates, original stencil, etc. Limited to 526 copies including 20 de luxe copies numbered I-XX, 480..... More
London: Trianon Press. Box of proof material especially made for Arnold Fawcus, containing proof material including guide sheets, stencils, and collotype negatives. Box with navy morocco backstrip, lettered in gilt, marbled boards, lightly worn. § Unique box of publisher’s material. More
London: Trianon Press. Proof material made up especially for Arnold Fawcus of the Trianon Press, including proof sheets, collotypes, stencils, negatives etc. Quarter morocco box with marbled boards. Rubbing and wear to backstrip, internally fine. § Arnold Fawcus’s unique set of publisher’s proof material. More
1965. London: Trianon Press, 1965. 4to, 8 plates, (5) pp. text, plus the extra materials. Full brown morocco, marbled paper-covered slipcase, gilt lettering to backstrip. A fine copy. § De luxe copy #XII of 20 copies with a suite of progressive states of one plate, an original guide-sheet and stencil..... More
1968. London: Trianon Press, 1968. 4 vols., 8vo and 12mo, Vol. I (8vo), [i-vii]-viii, 50, (4) pp., Vol. II (12mo), [2] pp., 22 plates, Vol. III [4] pp., 31 plates, Vol. IV (12mo), [2] pp., 10 plates, negative and copper plate. Original tan morocco, (volume 4 in brown cloth, as..... More
1968. London: Trianon Press, 1968. 4 vols., 8vo and 12mo, Vol. I (8vo), [i-vii]-viii, 50, (4) pp., Vol. II (12mo), [2] pp., 22 plates, Vol. III [4] pp., 31 plates, Vol. IV (12mo), [2] pp., 10 plates, negative and copper plate. Original tan morocco, (volume 4 in brown cloth, as..... More
1968. London: Trianon Press, 1968. 4 vols., 8vo and 12mo, Vol. I (8vo), [i-vii]-viii, 50, (4) pp., Vol. II (12mo), [2] pp., 22 plates, Vol. III [4] pp., 31 plates, Vol. IV (12mo), [2] pp., 10 plates, negative and copper plate. Original tan morocco, (volume 4 in brown cloth, as..... More
1974. London: Trianon Press, 1974. Folio, 25 color plates, 8 proofs, and commentary at the end. Original quarter brown morocco, small scratches to morocco, otherwise fine in slipcase. § Regular copy #2. Limited to 558 copies including 32 de luxe copies numbered I-XXXII, 500 regular copies number 1-500, and 26..... More
1972. London: Trianon Press, 1972. Folio, with 116 color facsimile leaves reproduced by collotype and hand-stencil color, the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Original sheets, marbled boards, morocco backstrip lettered in gilt,quarter brown morocco..... More
1972. London: Trianon Press, 1972. 3 volumes, folio, with 116 color facsimile leaves reproduced by collotype and hand-stencil color, the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Marbled boards, morocco backstrips, slipcases, backstrips stained, slipcases worn..... More
1971. London: Trianon Press, 1971. Small folio, 72 pages, with 16 color facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco backstrip, slipcase. Signed by Keynes. A fine copy as issued. § Limited to 28 copies so inscribed and signed by Geoffrey Keynes (this particular volume..... More
1976. London: Trianon Press: 1976. 4to, 155 pp., 51 plates. Original quarter brown morocco, a bit worn. § The Trianon Press mock-up for the published edition which was limited to 562 copies. The definitive work on all known portraits of Mr. and Mrs. Blake, this example annotated by Arnold Fawcus..... More
1977. London: Trianon Press: 1977. 4to, 155 pp., 51 plates. Original full brown morocco, slipcase. A fine copy. § #5 of 36 de luxe copies signed by Keynes, of a total edition of 562 copies. The definitive work about (and reproducing) all known portraits of Mr. and Mrs. Blake. The..... More
1977. London: Trianon Press: 1977. 4to, 155 pp., 51 plates. Original full brown morocco, slipcase. A fine copy. § Copy A of 26 copies for the Trustees and publishers, signed by Keynes, of a total edition of 562 copies.The definitive work on all known portraits of Mr. and Mrs. Blake..... More
