1970. London: Trianon Press, 1970. 4to, with 10 facsimile leaves, 5 pp. commentary by Sir Geoffrey Keynes, plus 32 pp. of the progressive collotype printings. Full green morocco, near fine with green marbled slipcase. § Copy III of 36 de luxe copies. The total edition was of 662 copies including..... More

1978. London: Trianon Press, 1978. Oblong folio, unlettered quarter morocco, cloth, worn. § The Trianon Press mock-up for the published edition which was limited to 376 copies. The first accurate reproduction of Blake’s seven engravings for the Divine Comedy, first published in 1838. This new edition has an introduction and..... More

1969. London: Trianon Press, 1969. Folio, 17 color plates, 9 pp. of commentary plus extra material. Full brown morocco over boards with slipcase. Fine. § One of the rarest de luxe editions. One 20 deluxe copies with additional proof sheets, progressive plates, original stencil, etc.; this copy is inscribed “special..... More

1972. London: Trianon Press, 1972. 4to, xx, 71 pp. With 16 color plates and 116 illustrations. Original blue cloth, illustrated dust-jacket. § Introductory handbook to the facsimile of Blake’s watercolors for Gray’s poems. Bentley, Blake Books, 385. More

1972. London: Trianon Press, 1972. 3 volumes, folio, with 116 color facsimile leaves reproduced by collotype and hand-stencil color, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco backstrips, slipcases, a fine set as..... More

London: Trianon Press. Box of proof material especially made for Arnold Fawcus, containing proof material including guide sheets, stencils, and collotype negatives. Box with navy morocco backstrip, lettered in gilt, marbled boards, lightly worn. § Unique box of publisher’s material. More

1965. London: Trianon Press, 1965. 4to, 8 plates, (5) pp. text, plus the extra materials. Full brown morocco, marbled paper-covered slipcase, gilt lettering to backstrip. A fine copy. § De luxe copy #XII of 20 copies with a suite of progressive states of one plate, an original guide-sheet and stencil..... More

1968. London: Trianon Press, 1968. 4 vols., 8vo and 12mo, Vol. I (8vo), [i-vii]-viii, 50, (4) pp., Vol. II (12mo), [2] pp., 22 plates, Vol. III [4] pp., 31 plates, Vol. IV (12mo), [2] pp., 10 plates, negative and copper plate. Original tan morocco, (volume 4 in brown cloth, as..... More

1972. London: Trianon Press, 1972. Folio, with 116 color facsimile leaves reproduced by collotype and hand-stencil color, the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Original sheets, marbled boards, morocco backstrip lettered in gilt,quarter brown morocco..... More

1971. London: Trianon Press, 1971. Small folio, 72 pages, with 16 color facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco backstrip, slipcase. Signed by Keynes. A fine copy as issued. § Limited to 28 copies so inscribed and signed by Geoffrey Keynes (this particular volume..... More

1977. London: Trianon Press: 1977. 4to, 155 pp., 51 plates. Original full brown morocco, slipcase. A fine copy. § #5 of 36 de luxe copies signed by Keynes, of a total edition of 562 copies. The definitive work about (and reproducing) all known portraits of Mr. and Mrs. Blake. The..... More

1977. London: Trianon Press: 1977. 4to, 155 pp., 51 plates. Original full brown morocco, slipcase. A fine copy. § Copy Q of 26 copies for the Trustees and publishers, signed by Keynes, of a total edition of 562 copies.The definitive work on all known portraits of Mr. and Mrs. Blake..... More

1987. Paris: Trianon Press for the Blake Trust, 1987. 22 separate plates, approx. 15.75 x 12.25 inches (30 x 31 cm) each, printed in color on Arches, housed in a tri-fold paper folder. Very good condition. § The New Zealand Set are careful watercolor copies of the central designs of..... More