1970. London: Trianon Press, 1970. 4to, with 10 facsimile leaves, 5 pp. commentary by Sir Geoffrey Keynes, plus 32 pp. of the progressive collotype printings. Full green morocco, near fine with green marbled slipcase. § Copy III of 36 de luxe copies. The total edition was of 662 copies..... More

1978. London: Trianon Press, 1978. Oblong folio, unlettered quarter morocco, cloth, worn. § The Trianon Press mock-up for the published edition which was limited to 376 copies. The first accurate reproduction of Blake’s seven engravings for the Divine Comedy, first published in 1838. This new edition has an introduction and..... More

1970. London: Trianon Press, 1970. 4to, 10 facsimile leaves and 5 pp. of commentary. Original quarter green morocco, backstrip browned, marbled boards, with slipcase. § Copy 351 of 662 copies including 36 de luxe copies numbered I-XXXVI, 600 regular copies numbered 1-600 and 26 copies lettered A-Z reserved for the..... More

1975. London & New York: Oxford University Press, 1975. 8vo: xxvii [xxviii], [27] pp. Title-page in sepia and 27 plates including title-page in color in double-page spreads alternating with those bearing notes to the plates. Original blue cloth, with lettering in silver to backstrip, original blue cloth slip case with..... More

1972. London: Trianon Press, 1972. 4to, xx, 71 pp. With 16 color plates and 116 illustrations. Original blue cloth, illustrated dust-jacket. § Introductory handbook to the facsimile of Blake’s watercolors for Gray’s poems. Bentley, Blake Books, 385. More

1965. London: Trianon Press, 1965. 4to, 8 plates, (5) pp. text, plus the extra materials. Full brown morocco, marbled paper-covered slipcase, gilt lettering to backstrip. A fine copy. § De luxe copy #XII of 20 copies with a suite of progressive states of one plate, an original guide-sheet and stencil..... More

1968. London: Trianon Press, 1968. 4 vols., 8vo and 12mo, Vol. I (8vo), [i-vii]-viii, 50, (4) pp., Vol. II (12mo), [2] pp., 22 plates, Vol. III [4] pp., 31 plates, Vol. IV (12mo), [2] pp., 10 plates, negative and copper plate. Original tan morocco, (volume 4 in brown cloth, as..... More

1975. London & New York: Oxford University Press, 1975. 8vo: xxvii [xxviii], [27] pp. Title-page in sepia and 27 plates including title-page in color in double-page spreads alternating with those bearing notes to the plates. Original blue cloth, with lettering in silver to backstrip, original blue cloth slip case with..... More

1972. London: Trianon Press, 1972. 3 volumes, folio, with 116 color facsimile leaves reproduced by collotype and hand-stencil color, the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Marbled boards, morocco backstrips, slipcases, backstrips stained, slipcases worn..... More

1976. London: Trianon Press: 1976. 4to, 155 pp., 51 plates. Original quarter brown morocco, a bit worn. § The Trianon Press mock-up for the published edition which was limited to 562 copies. The definitive work on all known portraits of Mr. and Mrs. Blake, this example annotated by Arnold Fawcus..... More

1977. London: Trianon Press: 1977. 4to, 155 pp., 51 plates. Original full brown morocco, slipcase. A fine copy. § Copy A of 26 copies for the Trustees and publishers, signed by Keynes, of a total edition of 562 copies.The definitive work on all known portraits of Mr. and Mrs. Blake..... More

1957. London: Trianon Press, 1957. Folio, with 9 color plates and 156 illustrations. Original quarter morocco, a superb copy virtually mint, preserved in a quarter blue morocco box lettered in gilt § Limited to 460 copies, this is #219. A very scarce book in good let alone fine condition as..... More

1964. Paris: Trianon Press, 1964. 4to, 56 pp., with a frontispiece and 15 color plates. Original color-printed wrappers covered in mylar. Wrappers slightly browned and curled; very good. § The original 1964 catalogue. Bentley, BB, 688. More