London: R. Noble, 1797. Large 4to, viii, [1], 95, [2] pages; with the Explanation of the Engravings leaf, and 43 full-page engravings by Blake surrounding the letterpress text. Full green morocco c. 1890, gilt top, covers rehinged, a wonderfully well-margined copy, uncut at the fore- and lower edges. Armorial gilt stamps on both covers, Gibbs armorial bookplate dated 1891, and modern bookplate ff at front. First edition, the Henry Martin Gibbs (Lord Aldenham)-Robert N. Essick copy with Essicks notes recording that two plates are in the very rare proof state before imprint and (equally rare) only two plates with the imprints trimmed away -- this copy measuring the same as the only copy in original boards uncut that I have owned, at 43.2 x 33.3 cm. Blake completed 537 watercolor designs when he was commissioned to illustrate Youngs masterpiece. The publisher only issued the first four Nightsand had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3. (Item ID: 6294)
$25,000.00