[London: probably prior to the first Colnaghi printing, about 5 March 1881]. Impression measures 93.9x30 cm., printed on India paper and mounted on heavy wove paper; archivally matted, in fine condition. Fifth and final state (but probably preceding the first Colnaghi impressions), with all the flaws denoting an extremely early printing still clearly visible, with much plate tone and the shadow scratched inscriptions clearly visible so a very early impression. Chaucers Canterbury Pilgrims was one of Blakes major attempts at building a reputation as a painter-engraver and achieving the sort of critical and financial success that had escaped him for so many years. However, Blake wasnt to meet with the critical success he had hoped for and the competition created when Thomas Stothard executed a plate of the same subject, caused him to become bitter. Most contemporary connoisseurs probably found the print old-fashioned and Gothic in the pejorative sense. The record of prices brought by the print at auction indicates that it has attracted strong interest from collectors only in the last few years (Essick, pp. 86-88). Blake made substantial changes in the fourth and fifth states of this famous plate and it is only in the last two states of the plate that we find Blakes mature artistry as an original printmaker, bringing to his largest and most ambitious single print the same techniques distinguishing his Job and Dante engravings. Essick, Separate Plates of William Blake, XVI, and see William Blake, Printmaker. (Item ID: 6272)
$27,500.00